ĀKURAI's

大概看了下去年的年终总结，才发现写文章的欲望持续减少，就连本篇也一直拖到了现在。

今年依旧看了好多好多剧，主要看一个眼缘和续集

Liz and the Blue Bird - The two lines come close and then get away.

Liz and the Blue Bird is an animation film produced by Kyoto Animation, which is my favorite. This movie has two timelines, one for Liz and Blue Bird, another one for Nozomi and Mizore. Just like a traditional boy meet girl story, Liz meet her Blue Bird, and Yoroizuka Mizore meet her Kasaki Nozomi.

A simple story between Nozomi and Mizore.

They've always stumbled over each other like in a traditional boy meet girl story, breakup and fix it, over and over again. But one day you find that you have just lost her, the only thing you wanna do is tie her to you tightly. But like you can't keep the Blue Bird in a cage, there is no way to keep someone in your jail.

The Blue Bird can give Liz a friend but things are much more difficult for Nozomi and Mizore. All the little things in life keep happening, all the people in her eyes are you. All the escape and misunderstanding forms their connection. All the year and closeness keep them in connection. And the two lines get away, and my palette get away.

Blue Bird have to be somewhere warm in the winter, and the rope I used to tie her up seems so fragile. What I need to do is just free her up to give the story a happy end. And see you, my Blue Bird.

近几年一直都有声音说国漫崛起，确实也有一些作品获得了成功，但终归还是属于少数。能让人真正想去看的国漫，能顶住流言蜚语的国漫，少之又少。中国的观众一直对此都是既宽容又严厉的，比如之前某外包国漫，用网剧的思路做电影，依旧活得好好的。而罗小黑最吸引我的应该是独属于它的克制的幽默，好不容易去看看电影版，到头来还有了追星的感觉。